Artikel geschreven door Margriet Koedooder, De Vos & Partners.
ATRESMEDIA: Rethinking Equitable Remuneration After 30 Years
1. Introduction: The Atresmedia judgment
In its 2020 Atresmedia judgment[1] the Court of Justice of the EU (CJEU) found that, when a phonogram is incorporated into an audiovisual work, it no longer qualifies as a “phonogram”. Consequently, the rights in the “phonogram” cease to be applicable (although the phonogram regains its quality when published later separately).
The CJEU has deduced from this finding that, as long as a phonogram is incorporated with permission in an audiovisual work, the right of performers and producers to a single equitable remuneration for such “phonogram” is not applicable.
This marked a dramatic change in the neighbouring rights landscape in the Netherlands – after 30 years, since broadcasters and other users of music in audiovisual productions, such as commercials, films, TV series and videos, now refuse to pay separately for the broadcasting of music in audiovisual productions. However, despite Atresmedia, Dutch performers and phonogram producers of commissioned and fixated music, demand fair market conditions.